The Confession

The role of the film’s events in two times, the first in the early eighties of the last century and the second in 2016, a researcher in the principle of belonging, where several lines related to the changes of the crisis intersect, and its context is not limited to the direct aspect of the confrontations that Syrians are exposed to from terrorism, but rather reviews the negative phenomena related to daily living The Syrians, the economic and humanitarian crises they face, and their ability to mobilize their will to resist these crises

VFX Artist, Editor & Colorist